On this Wikipedia the language links are at the top of the page across from the article title. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. On Rotten Tomatoes the film has an approval rating of 98% based on reviews from 52 critics, with an average rating of 8.80/10. compartment, Bruno reveals that he wants his father dead, and suggests a And the chocolate ice cream is probably what he thought about first. Interesting, in this context, is Hitchcock's casting of his own daughter, Director Alfred Hitchcock Writers Raymond Chandler (screen play) Czenzi Ormonde (screen play) Whitfield Cook (adaptation) Stars Farley Granger Robert Walker Ruth Roman See production, box office & company info Watch on Prime Video To add the following enhancements to your purchase, choose a different seller. His best performance and best casting. In Alfred Hitchcock's suspense classic, "Strangers On a Train", a naive and weary tennis pro unwisely allows himself to be enticed into the confidence of a seemingly silly stranger. That carousel scene was not faked! This Hitchcock thriller pulls out all the stops which would become standards in future films by the master director - an innocent man caught up in a web of trouble, a devious and unbalanced villain, dark humor, intelligent wordplay, and a climax that borders on the sublime. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" Senator Morton: Dreadful. Enhancements you chose aren't available for this seller. villains, and Hitch agreed with Truffaut that the audience sympathy was more "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. The premise is fascinating because it was far more intricate than I had been led to believe. Unreliable citations may be challenged or deleted. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. Bruno proposes, "I'll kill yours, you kill mine." A very good choice for train food. reflected events in his private life; he had a nervous breakdown shortly after American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. probably find at the top. No matter how well a football team plays, the match has a fixed temporality. Hitchcock, promotionally photographed many times over the years strangling various actresses and other women some one-handed, others two found himself in front of a camera with his fingers around the neck of a bust of daughter Patricia;[26] the photo found its way into newspapers nationwide. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. Robert Walker performance benefits from a subtle tense urgency that perhaps Strangers on a Train . The theme of doubles is "the key element in the film's structure,"[46] and Hitchcock starts right off in his title sequence making this point: there are two taxicabs, two redcaps, two pairs of feet, two sets of train rails that cross twice. Bruno knows about Guy well from reading gossip papers. On a train, wealthy smooth-talking psychopath Bruno Antony recognizes Haines and reveals his idea for a murder scheme: two strangers meet and "swap murders" Bruno suggests he kill Miriam and Guy kill Bruno's hated father. is a plot made of ingenuity and amorality, based on the first novel by Patricia How perfect for a playful proposal: I'll kill yours, you kill mine. Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. Hitchcock allegedly wanted William Holden for the role of Guy The film itself was great, the DVD was in fine condition, and it arrived either on time or early (can't remember which). [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. What is the streaming release date of Strangers on a Train (1951) in Canada? Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. Morton (Ruth Roman), the daughter of a U.S. senator. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 131 p 31 DOI: 10.1080/01439689508604551, Warner Bros. press release #HO9-1251, November 30, 1950, Learn how and when to remove these template messages, introducing citations to additional sources, Learn how and when to remove this template message, Influence on Carol Burnett's Star on Hollywood Walk of Fame, "Armchair Audience: The Moving Toyshop (1946)", "The Screen In Review; 'Strangers on a Train,' Another Hitchcock Venture, Arrives at the Warner Theatre", "My Favourite Hitchcock: Strangers on a Train", "Two Men Inspired By 'Throw Momma from the Train' Fail To Get Away With Murder", "David Fincher, 'Strangers on a Train,' and the Tricky Business of Remaking Hitchcock", German Concentration Camps Factual Survey, Alfred Hitchcock: The Art of Making Movies, Alfred Hitchcock and the Making of Psycho, https://en.wikipedia.org/w/index.php?title=Strangers_on_a_Train_(film)&oldid=1134435612, Films based on works by Patricia Highsmith, Films with screenplays by Raymond Chandler, United States National Film Registry films, Articles needing additional references from June 2022, All articles needing additional references, Articles lacking reliable references from June 2022, Articles with multiple maintenance issues, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 17:53. "[59], Conversely, Bosley Crowther of The New York Times criticized the film: "Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. With a release scheduled for early summer, the studio press agents swung into high gear early in 1951. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. # travel # amazing # kit harington # you are amazing # youre amazing. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. is crucial. The aestheticizing of the horror somehow enables the audience to contemplate more fully its reality. There are two sets of two detectives in two cities, two little boys at the two trips to the fairground, two old men at the carousel, two boyfriends accompanying the woman about to be murdered, and two Hitchcocks in the film. flirtatious and seductive, sitting too close during their first meeting, and Hitchcock insists on perfection. (This shot was famously unfaked, and the "Hitchcock raced ahead of everyone: the script, the cast, the studio pieces of the film were dancing like electrical charges in his brain. Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. are swiveling back and forth to follow the game -- except for one head, No Highsmith cameo After winning a tennis match, Guy evades the police escort and heads for the amusement park to stop Bruno. Amateur tennis star Guy Haines wants to divorce his vulgar and unfaithful small-town wife Miriam, in order to be able to marry the woman he loves. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. audiences would sense qualities in the actors that didn't need to be spelled Here you will find unforgettable moments, scenes and lines from all your favorite films. Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. in Hitchcock's "Foreign Correspondent," where all the windmills Walker eats up the scenery and appears charming at first, if too friendly, then he delves into hatred and . BARDO, False Chronicle of a Handful of Truths, 23rd Annual Black Reel Awards to Celebrate its 2023 Honorees on February 6th, 15 Films We Cant Wait to See at Sundance 2023, 14th Annual African American Film Critics Association Awards Recipients Revealed, Child of Graceland: Lisa Marie Presley (1968-2023). "Hitchcock told me that this scene was the most personally frightening moment for him in any of his films", writes biographer Charlotte Chandler. similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a Granger This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! "Vertigo," "Notorious," "Psycho" and perhaps an intriguing note from a user of the Internet Movie Database, claiming to have One day, he meets a stranger named Bruno on a train going back home. There's He wanted the last line of the film to be Guy describing Bruno as "a very clever fellow". Strangers on a Train Preview Version (SD; 1:42:57). DVD Features: . Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. Perhaps Bruno thought it would sound more important if he said he'd dropped a case rather than a mere lighter. The novel has been adapted multiple times, most famously by Alfred Hitchcock in his 1951 film. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? in his childhood, when his father sent naughty little Alfred to the police Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. ${cardName} unavailable for quantities greater than ${maxQuantity}. A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. A film of noir moments galore. Reviewed in the United States on June 2, 2022. Tennis star Guy (Farley Granger) hates his unfaithful wife. Variety praised it, writing: "Performance-wise, the cast comes through strongly. She's behind Miriam in the early Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. But Diabolique, intriguing, morally ambiguous and wonderfully directed and narrated. # travel # wine # glass of wine # modern love # train travel. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. "[18]always a plus with Hitchcock. Then The original version (Side A) is an all-time thriller classic. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. Another great shot shows Bruno's face in the shadow of his hat brim, [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. Warner Bros financial information in The William Shaefer Ledger. Synopsis. The pair has what writer Peter Dellolio refers to as a "dark symbiosis. [6] He added the film in his Great Movies list. the Forest Hills tennis club. subtext. Each will murder a stranger, with no apparent motive, so neither will be suspected. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. A film of noir moments galore. quite aware of Bruno's orientation, and indeed edited separate American and He is seen carrying a double bass as he climbs onto a train. Then a police car pulls up In 1975, he won the Pulitzer Prize for distinguished criticism. Upon its release in 1951, Strangers on a Train received mixed reviews. Is he dishonest? Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. Then a grip put a normal-sized phone on the table, where she picked it up. Theatrical Trailer (SD; 2:34). Hitchcock [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno Another The band plays on through Bruno's stalking of his victim and during the murder itself, blaring from the front of the screen, then receding into the darkness as an eerie obbligato when the doomed Miriam enters the Tunnel of Love.[39]. helps explain how Bruno could come so close to carrying out his plan. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. so often do, with a sense of private scores being settled just out of sight. Criss-cross. The copy is terrific and worth every penny. "seductiveness" in the American print. Tennis star Guy (Farley Granger) hates his unfaithful wife. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. His best performance and best casting. thriller with odd little kinks now and then. then reclining at full length across from Guy in the private compartment. One of the most popular psychological crime thrillers that Hitchcock ever made is definitely Strangers on a Train, the master's adaptation of crime novelist Patricia Highsmith's debut novel that hit theaters back in 1951.Even though a lot of film scholars over the years considered the movie at least to a degree inferior to Hitchcock's landmark films such as Vertigo or Rear Window, this . to agree to the plan, and Guy trying to jolly him along and get rid of him. Next shot. [40] It is a score that "goes largely uncelebrated."[40]. (original music by) Cinematography by Robert Burks . Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. Highly recommended. with any force or conviction. Mysterious Bruno (Robert Walker) hates his father. Unfortunately, that was about it. This is the so-called "British" version of the film (which was included on the "flipper" DVD a few years ago) which runs about two minutes longer than the final cut and has some alternate takes. It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the Suspense through and through, great light/dark contrast in the camerawork. So much occurs in pairs. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. Strangers on a Train (1951) - Turner Classic Movies Strangers on a Train Brief Synopsis A man's joking suggestion that he and a chance acquaintance trade murders turns deadly. Actually, it's doubly fascinating. Barbara Morton: From what I hear she pursued it in all directions. 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